Gender
in Slumdog Millionaire
In the film Slumdog
Millionaire, director Danny Boyle focuses on the Orientalist stereotypes
that sexualize and disempower women through their bodies and subservience to
men. According to Orientalist
stereotypes, women in an Indian society are seen as sexualized beings and exist
specifically for man’s pleasure and disposal. The character of Latika embodies
the gender differences and enables Boyle to critique gender discourses through
her fairytale existence. Latika is subservient to the dominant male society and
exists as a sexual pawn that only acts when told to do so, as she does when her
mob boss boyfriend commands her to make a sandwich and switch television
channels. In Latika’s childhood she
stands in the rain while Jamal and Salim find protection under a shed and she
must wait in the rain until given permission to enter by one of the boys. At a young age she is conditioned to
understand her subservience to men and a role that denies her a voice and
mind. A she grows she becomes man’s
sexual toy and her body exploited for man’s satisfaction. Boyle shows this
exploitation through his use of camera angles and lighting that highlight
Latika’s beauty and allure by shooting pieces of her. The camera focuses on her henna tattoos,
jewelry, and her bare body to highlight her sensual nature. In the camera’s eyes, Latika is a fragmented
being, always doing what others expect of her and the angles in which she is
shot depict the view of the world and deny her existence; she exists by the
ways in which others dictate her life for her. Fragmentation in Boyle’s film
explains the roles women must play in society and their lack of agency in a
male dominated world. Latika is constantly shot behind bars, trains, doors
which prevent her from being seen clearly and deny her a dominating presence on
screen. Latika, much like the
stereotypes in place for women, represents the inequalities between men and
women and women’s difficulties in finding a place in a “growing” nation that denounces
gender changes.
An issue that the film deals with pertains to the problem of globalization and human trafficking. While I do not condone this horrible act, many are unaware that sexual enslavement/prostitution, as Lawrence states,"Additional evidence of licentiousness was provided by Muslim polygamy and Hindu child marriages, in which the bride was expected to have intercourse on or even before her twelfth birthday, a custom which shocked some commentators" (Lawrence 217). In Indian culture, sex trafficking and the exploitation of child labor dates back to the 1800's. When the British colonized India, Indians used their women and children as a way to meet the needs of the British travelers by offering services foreign and exotic to them. Men wrote of the 'horrific sights,' but brought the customs to the attention of many people and began implementing practices. Globalization has largely contributed to the rise of capital and the demand for human trafficking. Women and children have little to no voices in society, so therefore makes the sales realistic and plausible, no one will question the disappearance of an unknown citizen. Many victims of this slavery are women and children of the Dalit class; the Dalit class being linked to the untouchable class. The Dalits do not have a place within Indian society, so they are viewed as items that will not be missed, and offered up for trade. One can argue that globalization and capitalism preys on the poor. Countries with traditionally defined, class/caste systems, associate success only with the upper echelon. The lower classes are the tools for the rich to exploit and force into human bondage.
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